A Black man with very deep complexion in last light on Cannon Beach

The house line

Mahogany.

Creams mixed for the darkest sitting in the room. Glass-flake copper, hibiscus, oxblood, espresso. Packed at Cannon Beach. The base can still be Fenty. The tin is ours.

House creams: copper, hibiscus, oxblood on linen

Collection

Not a second brand. A pigment family.

Foundation is still matched to live Fenty and M·A·C — those houses already won the fifty-shade war. What they still get wrong on rich skin in real air is the cream: flush that vanishes, ice that greys, bronze that stripes. Mahogany is those tins, mixed to the photograph.

Borosilicate glass under iron oxide. A leaf of copper, not champagne. One sitting, one box, one tracking number.

Sitters

The same light. Six faces.

Nia, Imani, Zora, Kwame, Omari, Sekou. Deep warm, golden, very deep cool — worn by whoever sits.

Sit with the house

The tins

Mahogany, in stock.

Open bag